April/May roundup

I've been sort of beating myself for not painting/drawing all that much in the last few weeks, but gathering all the sketches and such from mid-April onwards, the sum doesn't look too meagre after all. :)

First, two illustrations for Zeitgeist:

Fanart for Angeliki Salamaliki's Monsieur Charlatan webcomic:

I spend a couple days re-organised my brushes in Photoshop, with these two cropping up from the process:

Some portraits: my femshep from Mass Effect, referenced from screenshots, two more photo studies, plus one quick master study, The Valkyrie's Vigil, by Edward Robert Hughes.

And a few figure studies; the first batch are referenced, the second (probably obviously) not.

March/April sketches

Sketch compilation time! For the record, my sketchbooks over the last couple of years have been a succession of nasty, tattered things like this one:

The only thing they've got going for them is that they've got 200 12.5x17.5cm sheets and they cost me some €0.50 each (I get a pack of five), so I go through them mercilessly without ever having to fret about 'ugly' sketches. This used to be an issue before. They get much abuse from being tossed about in my bag daily, but though the result is not pretty, they curiously hold together.

 

I don't really sketch as much as I used to; in 2011-2012 I'd sketch in the tram and metro almost daily, but nowadays I catch the metro from a busier station and rarely find a place to sit, so it's not very practical. I'm more likely to sketch something very quick at work (e.g. top three sketches on the first image) or do some anatomy studies at home when I've got more time on my hands.

That said, I'm noticing how far better control I have with pencils than with my tablet. I may be really clumsy with acrylics (see below), but I draw far more comfortably on my sketchbook than I do digitally. Perhaps, even after 15 years, my hand/eye coordination between the tablet and monitor isn't really that good.

Bonus: acrylic sketches! I did those at my mom's studio in late March.

Photo studies & Daily Spitpaints, March 2014

 

  

Reference: Nastya Kusakina photographed by Jurij Treskow

  

Reference: Rufo, Arbore Tribe, Lower Omo Valley, Ethiopia - by Joey L.

One thing I figured out while painting these portraits was rendering smooth face planes with the airbrush. I’d tried it in the past but the result would usually end up blotchy and plastic, partly due to poor control. This time I kept airbrushing in a new layer set in dissolve mode. When I was done, I would convert the layer to a smart object, rasterize it, turn it back into normal mode (it would keep the ultra-sharp speckles from dissolve mode), then blur (Gaussian, between 1.0 and 1.4 radius) and lighly erase where needed for a softer effect.

 

Reference: Drakolimni, Mount Tymfi, Epirus, Greece. I took some liberties with the look of the resident 'dragons'. :}

I also joined the Daily Spitpaint group on Facebook, and have painted a couple prompts. The 30' limit is a hit or miss, and I'm not always sure it's a good thing to rush things. While working fast and under pressure keeps me on my toes, I may take shortcuts to make something presentable instead of learning from it as I would if I were to take my time. Or perhaps I'm just out of practice; I should keep doing these.

 

January/February sketches

I made it a New Year's resolution to get back into painting in 2014, because 2013 saw me paint very little if at all. I set a weekly schedule of evenings and weekends, a range of 10-30 hours; 45 if I really push it, forgo sleep, and do nothing else after getting back from work but sit and paint.

In theory, it's more or less reasonable, but in practice it requires 30 hour-long days and not much of a life beyond. I also realised I cannot always sit eight plus hours in front a computer screen at work and expect to spend another four or five at home. So all that didn't work out too well. :}

Still, I managed to finish a trio of commissioned portraits, a character lingering in a semi-finished state since 2011, and while I absolutely don't get to sketch daily, it's gotten more regular. I'll post the characters separately; for now, here are the sketches:

 

  

 

The rest is all digital:

For the record, I was happy to find out that eye drops really help. ;)

Sketches March & April

After what I now realised to be a rather long hiatus, prepare to be swamped with recent work! For now, just some sketches. I have fallen behind with both sketching and scanning (lately I am so tired in the mornings or after work that taking out pen and paper in the metro seems too daunting).

The overwhelming majority of these are from the time I spent at a hospital looking after a family member. Long hours with nothing much to do - good for drawing. When sleep deprivation kicked in, less so - but still. :)

Then I realised I had also scanned another batch from March - I just never got round to posting it.

Acrylic tinies

To my surprise, my old tubes of acrylic paint (bought in 2003!) are still alive. They are big plastic ones and could surely last for a few more paintings. I had a couple smaller metallic tubes, too, but those are bone-dry.

I tried them yesterday evening on these itty bitty (9x6cm) pieces of canvas. Fun times! I'm a lot more comfortable with acrylics' drying times as opposed to oils'. I still attacked the first two with a hair dryer, though.

I'm also realising that my scanner is not handling reds very well. I always have to colour-correct my scans, and it's always the reds that are most skewed.

Edit: here they are, sitting snugly on my desk shelf! :)

Lethe

I had aimed to make this a very quick sketch, to force myself to put in only what was necessary and keep my forms simple - that took some 20', with relative success.

A little while later I gave in to temptation and spent another 20' adding a bit of texture, though. :)

Reference from Elandria.

2012 meagre beginnings

I suppose something is better than nothing!

Two VERY quick pieces I did this morning. Aisling, from The Secret of Kells (a fantastic animated film, I highly recommend it. It's a visual treat), and the Arishok from Dragon Age 2. I've been running a fever, and it was hard to focus (coughing and blowing one's nose while at it doesn't help, either). So I painted semi-blindly, and on the whole both these came out very spontaneously in subject as well as execution. 

I came across this while rummaging in my 'Quick' folder. A few touches and I suppose that's it. Wild red-haired girl holding something that tries to look like a Kalashnikov - I can't draw weapons to save my life. :p

Finally, some figure practice from earlier this week. Reference from M. J. Ranum's stock account. The skinny girl was interesting (read: difficult) to draw. The one with the wide hips (which I made even wider) - simply delightful! ;)

Summer sketches

I'm back! And not quite empty-handed, even though there wasn't much time for drawing. The two weeks I was away were largely spent on the road, and in impromptu family gatherings. But I managed to get some stuff done.

I now think that I had a breakthrough of sorts, and it was right after seeing Katerina Chadoulou's work earlier this month. Katerina draws faces very deliberately, with attention to planes, building forms with bold cross hatching. I tried to work in a similar manner in last post's photo studies, and in the ones I did subsequently:

as well as in a couple studies of other artists:

(The figure on the left is from a painting by Jacec Malczewski; the others are from Dave McKean's Black Orchid).

And I think I'm slowly, very slowly, getting somewhere with all this. The more 3d-like approach is helping me a lot. I can see or visualise volume where I previously saw mostly flat light and shadow.

I still need a lot more work. It's funny how, the more I practice, my skill increases at a more or less steady rate, but at the same time my standards rise exponentially. So I'm never really very pleased with my work. (I'm pleased when I draw and when I finish stuff, but then soon afterwards I want to do better). So I hope I keep doing better, I guess!

The rest is much less focused, but here it is anyway.

Life drawing from the port of Kavala:

And all the rest is from imagination.

By the way, all the pencil sketches I post are digital assemblages: the drawings usually span a lot more pages (and even sketchbooks), but I cram them in together for convenience, chronologically or, as in this case, thematically.

Summer break (of sorts)

I've been slacking it since the second half of July. I kinda blame it on the heat, but the truth is I just haven't been motivated enough to draw much lately. I kept doing a few sketches on the metro up to a point, but I was dissatisfied with them; hardly worth the hassle of scanning them. Then I picked up some unread books that were gathering dust on the shelf (Oryx anf Crake by M.Atwood filled my transit time until the start of my summer leave last Monday), and I got hold of Civilization V (that one created a huge time sink), and well, you get the idea. :p

These are from early July:

The yard (second image) is from life, the rest is from imagination. The wrapped critter is supposed to be a tarsier. The fluffheap tree is intended for either a mural or a huge print for a friend's wall.

And these are from just this evening. Photo reference from a video by Paris Kain (upper row) and Suresh Natarayan (second row). I realised that all this time I've been drawing with a B pencil, which is great when I'm making sketches during transit as it doesn't smudge, but on the other hand it makes them a bit dull as I can't get much contrast out of it. I used a 2B for the faces, and it was almost a revelation! (I did spend a lot of time cleaning them up, though.)

I also tried a different technique for these, thinking about planes first, then use crosshatching to build up volume, instead of my usual pussyfooting around shadows.